American underground cinema has undoubtedly been boosted by the arrival of John Cassavetes whose freedom and fluidity of characters and their emotions felt as a lease of oxygen in a studio driven defunct industry. However, not everyone has able to accept his works with arms wide open. It seems as though the whole of Cassavetes film can be summed up in the term – self-indulgence. What is self indulgence? Is Cassavetes work so alien that one is not able to accept them?

Andrei Tarkovsky’s whole new percept of cinema helped discovering newer boundaries to the medium and aided the formation of some of the greatest directors of the future. Though Andrei Tarkovsky’s canon consisted of only seven features, three student films, one documentary and a couple of stage plays and there were more unrealized projects than filmed ones, each of the ideas that were completed were gems and remain unparalleled to dateLooking back, each one seems hand picked and “sculpted” second…

Iranian cinema was first put on the map when the films of Abbas Kiarostami caught the attention of the west. The avant-garde style and the peculiar yet totally fresh concept of “plotlessness” impressed the critics, invariably, throughout the world. After Kiarostami had made way for Iranian filmmakers to venture into the international scenario, it was up to the new generation to develop a stronghold and reserve a unique place for the cinema of their country without mimicking their forerunner…

As a person who loves art, I have been struggling to learn the techniques of perspective and technical drawings. The practice of these techniques improves the way the eye views the object and the hands recreate them. Detail and character becomes the core of the sketch, making each artist unique and  attentive. Now, every [...]