Krzysztof Kieslowski’s films often deal with the themes of fate, coincidences and choices. The phenomenal Decalogue teased us with the possibilities of seemingly disparate lives being connected. Equally staggering Three Colours trilogy completed a full circle and testified Kieslowski’s theory. But almost a decade before the trilogy, Kieslowski had made Przypadek that had already embraced the possibility of plasticity of fate and existence of truly free will. Though seldom listed in the list of great foreign films, Blind Chance deserves…