Pulp Fiction is the epitome of wild, wacky and quirky filmmaking. It is outrageously violent – it made a complete mockery of blood and killing; uncontrollably profane – the movie perhaps has more F-words than any other movie in the entire history of cinema; profusely wicked – the movie made fun of nearly every sensitive and so-called sanctimonious issues ranging from religion to race to even homosexuality, and unabashedly bizarre. And despite all its twisted sense of humour and idiosyncrasies that can best be described…

Killer of Sheep (1977) is an American neorealist film by African American filmmaker Charles Burnett. American Neorealism – Does it sound like an oxymoron? Apparently it isn’t. Charles Burnett’s portrayal of the life and times in the Los Angeles slums has been hailed as one of the greatest truly-American films and even compared to the works of Italian stalwarts Rosselini and Visconti.The film is a shrine of inspiration to independent filmmakers around the world and teaches them that good cinema is not about how sensational your visions are, but how well you connect yourself to the world around…

Director Wong Kar Wai has all his dough ready for this colorful and extravagant desert of a film. He preheats the expectations of a magnificent filmmaker to a 100 degree F, tosses succulently fresh blueberries (Norah Jones and Jude Law) in a bowl of beauty, love and loss, sprinkles into it the vinegary of heartache [...]